Evolution of the Sickbay Set

The sickbays of the refit Enterprise, Enterprise-A, Enterprise-D and Voyager were all the same set, originally built for the aborted second Star Trek television series Phase II in the late 1970s. It even doubled as bar and observation lounge!

Refit Enterprise

Production Designer Harold Michaelson told Starlog after the release of Star Trek: The Motion Picture in 1979 (My Star Trek Scrapbook has the full interview) that his design philosophy had been to open things up compared to The Original Series:

In the medical room, we changed things to where you can see through to several rooms. The eye is never stopped by a wall.

In keeping with the clean and futuristic look of the rest of the refit Enterprise, sickbay was painted white and given little superfluous detail.

The set underwent minor changes in Star Trek II. Numbers were added to the biobed alcoves, which suggest a half circle of beds surrounds the examination room and doctor’s office. Director Nicholas Meyer also shot all scenes in darker colors to give the ship a more claustrophobic feel.

We only get a glimpse of McCoy’s office in the second movie, but it appears unchanged from the first.

Donny Versiga has created an obstructed view of the doctor’s office, which also shows the service corridor running behind it more clearly.

Lora (then Shane) Johnson, the author of Mr Scott’s Guide to the Enterprise (1987), visited the Star Trek movie set in August 1986, just after The Voyage Home had been filmed. Johnson told Greg Tyler years later that sickbay then still looked like the seedy bar where Dr McCoy had tried to hitch a ride to the Genesis Planet in Star Trek III. “The beds had been replaced with booth seating and tables, and the nurse’s station had become a bar.”

One neat little detail that escaped detection by the cameras during the making of Star Trek: The Motion Picture involved a section of the sickbay set. A silver and blue medical storage unit, seen briefly in the background during the scene in which Kirk, Spock and Decker discuss the Ilia probe situation, featured labels warning that it held culture samples of “Andromeda Strain”. That, of course, was another of Robert Wise’s films, and the set piece was a subtle homage to him.

Leonard McCoy
Biobeds made way for booths and sickbay became a bar in Star Trek III


During the first season of The Next Generation, money was tight and sickbay had to double as conference lounge. In some of the earlier episodes, the outlines of the carpet hiding the observation lounge windows is visible.

For the first few episodes, the main biobed was half-surrounded by brown-tainted partitions that tied into the round sensor cluster protruding from the ceiling. These did not survive long, but the sensor cluster remained and was later shown to be capable of creating a forcefield, notably in “Unnatural Selection”.

When the observation lounge got its own set in Season 2, alcoves could be added in sickbay for the recovery beds. This look harkened back to The Motion Picture, but this time lights were added to top of the bays and the set was given warmer colors.

So was the doctor’s office, which during the first season had changed little from McCoy’s. (Consoles had been moved into engineering and the transporter room.) The doors leading from the waiting area into the corridor were also changed, from grey to orange, and the door frames were rounded.

Jörg Hillebrand and Bernd Schneider have kept track of all the changes the set underwent between Seasons 1 and 2 at Ex Astris Scientia.

A small medical lab was attached to the set, behind the door next to Dr Crusher’s office. It was crammed behind the transporter room and difficult to shoot. It appeared only once in Season 1, in the episode “Home Soil”. A separate and multipurpose laboratory was built during the third season.

In the few episodes the original medlab appeared again — “Evolution”, “Clues”, “The Game” — it was filmed entirely from the far end, not revealing the third door the actors had exited through in “Home Soil”. Although the rest of sickbay could be seen through the doors of the medlab, the other way around the doors appeared to have translucent rather than transparent glass.

Andrew Probert told Forgotten Trek in 2007 that he was asked to design a passageway between Dr Crusher’s office and the medlab (the area highlighted in yellow on the Stage 9 floor plan below).

I saw this room as simply a connecting equipment bay with various drawers and containers for medical equipment.

It was never built.

The area behind Dr Crusher’s office was glimpsed in “Night Terrors”, when she and Picard emerge from it. It was never established on screen what this area contains, and we saw only a few props against a white wall.

In his Star Trek: The Next Generation U.S.S. Enterprise NCC-1701-D Blueprints, Rick Sternbach puts a service corridor here that connects the familiar “Primary ICU” with the rest of a sprawling medical complex.

The Blueprints don’t match perfectly with scenes in “Man of the People” and “The Quality of Life”, when for the first and only time the blinds in Dr Crusher’s office aren’t completely closed and we can see a (fake) corridor behind her. This appears to have been a holdover from Star Trek VI, when Crusher’s office was redressed as the Enterprise-A science lab and the painted corridor extension from The Motion Picture was added behind the windows.

The Enterprise-D set was used virtually unchanged in Star Trek V: The Final Frontier. The scene, in which Uhura wakes Scotty up in sickbay, was shot from such angles that little of the set could be recognized.

More effort was made to hide the twenty-fourth-century elements in Star Trek VI: The Undiscovered Country, although that scene — in which Kirk, Spock and McCoy lure Valeris into sickbay — was so dark they needn’t have bothered.

The set was restored for Star Trek Generations, after which it was inherited by Voyager.

One of the few things that weren’t carried over to Voyager were the monitors above the recovery beds, which had been unchanged since The Motion Picture. Brett Leggett acquired one from Doug Drexler, who saved it from the dumpster, and wrote about the prop for Wrath of Dhan.


Production Designer Richard James did his best to make Voyager’s sets look different from The Next Generation’s. But when he put all the elements together — the main biobed, recovery beds, doctor’s office, medlab — and took into account that he would need to redress the existing Enterprise-D set, rather than build one from scratch, he ended up with something strikingly familiar.

Another similarity: Voyager didn’t have the money to build all the sets it wanted during its first season. The medical lab wasn’t added until Season 2, when the show did have the advantage of more space, because its transporter room was smaller.

A deck plan of sickbay and the surrounding area appears in the Season 4 episode “Vis à Vis”. It looks similar to the Enterprise NCC-1701-D Blueprints, which is no coincidence. Sternbach made both.


The Voyager set was used almost unchanged in First Contact (with Robert Picardo in it) and Insurrection, except in the case of the former it was shot in warmer colors.

By the time Nemesis went into production, Voyager had gone off the air and its sets had been destroyed. A new sickbay needed to be built. It was not given a surgical bay but only a row of biobeds against a grey wall, returning to a look that ironically harkened back to the one Star Trek: The Motion Picture had established almost a quarter-century earlier.


Good article! Small point – I thought the Voyager sets had all been demolished by Nemesis and they had to build a new set for those scenes…

Andrew Shouse (Mar 6, 2019)

Now that you mention it, I recall reading something similar, so it would make sense that the set was actually rebuilt and not merely redressed.

Let me see what I can find out and then I’ll update the article if necessary.


Hey. I love your website but I thought I’d point out one use of the set not mentioned. Part of the sickbay was redressed for the scene in Star Trek III: The Search for Spock as the sickbay aboard the Klingon Bird of Prey, towards the end when McCoy speaks to an unconscious Spock. Specifically the wall with hexagonal rectangle things seen behind Kirk and Scotty in the picture from Wrath of Khan. The panels were lit read and I believe they repainted that section. It’s also lit dark and was shot so as not to be as recognizable. Keep up the good work.

Larry Rockensuess (Mar 24, 2019)

I didn’t know! Thank you for sharing, and thank you for the kind words. I’m glad you enjoy the site!

You may want to comb through this site and correct “Shane Johnson” to “Lora Johnson”. She changed her name eleven years ago and I’m sure would prefer to be referenced with it.

Kyle (Aug 10, 2019)

Good point! Will do.

Submit comments by email.