Avery Brooks Colm Meaney

Rick Berman insisted on new uniforms for Deep Space Nine, rejecting budget-conscious overtures from Producer David Livingston, who had suggested using the same costumes from The Next Generation to save money.

It fell on Robert Blackman, who had been in charge of costume design since Season 3 of The Next Generation, to come up with uniforms that looked different enough to set the new show apart but similar enough that the two looks could reasonably coexist in the same universe.

Blackman felt that, for a space station, the uniforms should be more utilitarian. The Next Generation‘s had a “very dignified and ennobling kind of appearance,” he told Cinefantastique 27, #4/5, “with that vertical, perfectly done, military-esque kind of structure.”

Deep Space Nine‘s, by contrast, were “a cross between a NASA jumpsuit and a mechanic’s jumpsuit.” They were looser and they allowed characters to roll up their sleeves, something Chief O’Brien (Colm Meaney) would often do.

Blackman toyed with making the uniforms out of cotton twill, but choose wool after making some test suits. Cotton doesn’t dye as permanently. The colors would have fainted with repeated washings.

Patrick Stewart Avery Brooks
Publicity photo of Patrick Stewart and Avery Brooks (Trekcore)

“Wool is actually a wonderful, breathable fabric,” he said.

They’re not lined very much. They have some structure built in, but not much. They’re soft-shouldered.

The result was a uniform that Blackman felt looked more real.

You and I could put on one of those suits and walk around. They’re still very handsome, but there’s great mobility and a lived-in reality to them.

Sources for this story include: Mark A. Altman, “Space Station Dress Code,” Cinefantastique 27, #4/5 (January 1996) 109-110. Concept art from Star Trek Concept Art, Graphics and Design (Pro).

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